My process revolves around the time-intensive act of cutting intricate patterns using a utility knife. Moving my hands in the repetitive movements required by my work transforms my art practice into a meditative experience.
The themes of my art are centered on my attempts to connect my physical surroundings with the rich, complicated, internal and spiritual environment experienced within. The cut-out pattern interferes with the representational imagery, obstructing the seen with the unseen. No matter how many paper layers intersect with the representational image of the photograph, the cut outs ultimately act as negative space, forming lines and shapes out of nothing. Despite the patterns’ clearly defined edges, they are actually invisible, like the experiences they represent.